{"id":5296,"date":"2026-07-19T19:37:28","date_gmt":"2026-07-19T19:37:28","guid":{"rendered":"https:\/\/bostonrelocationinsider.com\/?p=5296"},"modified":"2026-07-19T19:37:28","modified_gmt":"2026-07-19T19:37:28","slug":"gorgeous-but-self-serious-the-odyssey-is-at-sea-thanks-to-its-own-bleakness","status":"publish","type":"post","link":"https:\/\/bostonrelocationinsider.com\/?p=5296","title":{"rendered":"Gorgeous but self-serious, \u2018The Odyssey\u2019 is at sea thanks to its own bleakness"},"content":{"rendered":"<article>\n<div>\n<div><\/div>\n<p><span><span>C<\/span><\/span><span><span>hristopher Nolan\u2019s much-anticipated Greek mythology adaptation, \u201cThe Odyssey\u201d is available in a variety of formats, including IMAX, 70mm (which the Coolidge is offering), and 35mm. Regardless of your choice, you\u2019ll bear witness to cinematographer Hoyte van Hoytema\u2019s stunning shots of landscapes, battles, and the occasional acts of gods like Zeus and Poseidon. <\/span><\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5294\">I won\u2019t have sex before marriage. How do I know if we\u2019re compatible?<\/a><\/p>\n<\/div>\n<div>\n<p><span>Spectacle is the order of the day. Nolan attempts to revive the type of expensive, lavish Hollywood epic that began in the silent era with \u201cBen-Hur\u201d and Cecil B. DeMille. The spirit of DeMille, the grandmaster of such epics, is evoked more than once here. At least Norma Desmond\u2019s favorite director gave viewers an intermission so their bladders wouldn\u2019t explode during his three-hour epics. DeMille also knew that a little humor goes a long way to undercut the bleakness of a dark story, something Nolan hasn\u2019t used since Heath Ledger\u2019s Joker.<\/span><\/p>\n<p><span>Universal is promoting this film as a return to spectacle: An enormous model of the Trojan horse stood outside of the Manhattan theater where I attended the IMAX version of \u201cThe Odyssey.\u201d You could see it from blocks away. The prop harkened back to the debuts of movies like \u201cThe Ten Commandments\u201d at Grauman\u2019s Chinese Theater; it\u2019s a piece of advertising that calls attention to itself and its product. I wouldn\u2019t be surprised if, on opening day, a bunch of people fell out of it onto Broadway. Though considering the current heat wave, those folks aren\u2019t going to be happy. <\/span><\/p>\n<div>\n<div>\n<div><span>Get Starting Point<\/span><\/div>\n<div><span>A guide through the most important stories of the morning, delivered Monday through Friday.<\/span><\/div>\n<div>\n<div><label>Enter Email<\/label><\/p>\n<div><button>Sign Up<\/button><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span>Like I said: Spectacle. <\/span><\/p>\n<p><span>Nolan takes us inside the movie\u2019s Trojan horse just before the invasion, giving us a peek into the logistics of packing so many soldiers inside. (The often muffled sound mix sounds like he recorded the movie in the horse as well.) The famous battle for Troy is doled out in flashbacks, as is much of the film. You can tell where you are in the timeline by Matt Damon\u2019s beard. Your Boston buddy plays Odysseus, whose 20-year quest to be reunited with his beloved Penelope (Anne Hathaway) forms the backbone of Homer\u2019s poem.<\/span><\/p>\n<p><span>The words \u201cA time of apparent magic\u201d are the first image we see before crash landing on the beach where the Trojan horse is buried halfway in sand. From there, the film introduces us to other characters before Odysseus makes his grand entrance. Odysseus\u2019s son, Telemachus (Tom Holland), wonders about the fate of the father he doesn\u2019t remember. He\u2019s mentored by Eumaeus (John Leguizamo), a faithful servant of his father who, despite his blindness, also serves as an enforcer. Eumaeus owns a raggedy old dog whose love of Odysseus won\u2019t let him give up the ghost until the great man returns.<\/span><\/p>\n<p><span>We also meet the Ithacan suitor, Antinous (Robert Pattinson), one of the many men trying to win Queen Penelope\u2019s hand while she awaits the return of Odysseus. Antinous was supposed to join the soldiers in the Trojan war, but he\u2019s left behind in favor of Sinon (Elliot Page), a child at the time. Now, he sits among the others who have invaded Penelope\u2019s home, awaiting the moment she finishes her husband\u2019s burial shroud. <\/span><\/p>\n<p><span>Antinous is the primary <i>human <\/i>villain in \u201cThe Odyssey.\u201d But Odysseus doesn\u2019t know what\u2019s going on back home. He has his hands full with Sirens, witches, a Cyclops, the beguiling immortal Calypso (Charlize Theron), and the wrath of Poseidon, god of the sea. Since much of this odyssey is sea-based, there are ample Poseidon adventures. <\/span><\/p>\n<p><span>In Odysseus\u2019s corner is Athena, to whom he prays often. Occasionally, she pops up in the guise of Zendaya. Nolan does little with these moments, because the director fails to make Odysseus human enough for us to care about his plight. A desperate man visited by the god he worships should have more emotional power. Damon does his best, and it\u2019s a respectable effort.<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5293\">\u2018The Odyssey\u2019 storms the box office with a $264.1 million global debut<\/a><\/p>\n<p><span>However, there are enough distractions to keep most viewers from dwelling on this level of emptiness. Especially if you\u2019re familiar with the source material. The recreations of the most familiar plot points are what keep \u201cThe Odyssey\u201d barreling forward. The Trojan horse\u2019s journey, and its opening, are presented in impressive widescreen compositions. The climactic battle that accompanies Odysseus\u2019s return to Ithaca provides an endless supply of men to be slaughtered. <\/span><\/p>\n<p><span>And the monsters you remember are here as well. Bill Irwin stands out as the Cyclops. His expertise as a vaudeville clown and a choreographer influences his every movement, giving the man-eating monster a soul. It\u2019s Kubrickian that the most moving character in \u201cThe Odyssey\u201d is one of its most murderous; the Cyclops is this movie\u2019s HAL. <\/span><\/p>\n<p><span>Also memorable is Samantha Morton, who bursts onscreen as the witch, Circe, and takes over the movie. Circe is not what she seems at first to Odysseus\u2019s men. Her righteous rage erupts with a fierce lecture and scenes of body horror that might make you swear off pork for a few days. <\/span><\/p>\n<p><span>Morton\u2019s role is in stark contrast to Lupita Nyong\u2019o, who isn\u2019t given much to do. She\u2019s Helen of Troy, the character whose face launched a thousand ships, and whose casting launched 10.000 racist tweets. Nyong\u2019o also plays Helen\u2019s sister, Clytemnestra. She gets a good scene of murderous vengeance, but she\u2019s ultimately wasted.<\/span><\/p>\n<p><span>Hathaway brings some emotional shading to the thankless role of Penelope, a woman whose life is nothing but pining for the return of a man everyone thinks is dead (but is actually on an island having sex with Charlize Theron). The scenes between Penelope and Telemachus flesh out both characters.<\/span><\/p>\n<p><span>As with \u201cOppenheimer,\u201d I find myself on the fence. On the plus side is Nolan\u2019s ability to direct large scale scenes with credible efficiency. Morton, Leguizamo, Irwin, and Page are memorable. Pattinson has fun channeling Roddy McDowell\u2019s snarky performance in \u201cCleopatra.\u201d But like that epic flop, \u201cThe Odyssey\u201d takes itself too seriously. The film ultimately sinks under its bleakness like a lead balloon. I was less stirred by its closing moments of regret and reflection; I was more relieved that I could finally use the john. <\/span><\/p>\n<p><span>\u2605\u2605\u00bd<\/span><\/p>\n<p><span><b>THE ODYSSEY<\/b><\/span><\/p>\n<p><span>Written and directed by Christopher Nolan. Starring Matt Damon, Anne Hathaway, Robert Pattinson, Tom Holland, John Leguizamo, Samantha Morton, Elliot Page, Lupita Nyong\u2019o. At Coolidge Corner, AMC Boston Common, Landmark Kendall Square, Alamo Drafthouse Seaport, AMC Causeway, suburbs. 172 minutes. R (violence, one instance of pardoning a Greek\u2019s French)<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5291\">It\u2019s Spain vs. Argentina in the World Cup final. Follow live updates.<\/a><\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>Matt Damon is a capable Odysseus in Christopher Nolan&#8217;s epic, but he&#8217;s given little emotional depth to work with.<\/p>\n","protected":false},"author":1,"featured_media":5295,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gorgeous but self-serious, \u2018The Odyssey\u2019 is at sea thanks to its own bleakness - Boston Relocation Insider<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bostonrelocationinsider.com\/?p=5296\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gorgeous but self-serious, \u2018The Odyssey\u2019 is at sea thanks to its own bleakness - 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