{"id":5281,"date":"2026-07-19T15:35:51","date_gmt":"2026-07-19T15:35:51","guid":{"rendered":"https:\/\/bostonrelocationinsider.com\/?p=5281"},"modified":"2026-07-19T15:35:51","modified_gmt":"2026-07-19T15:35:51","slug":"director-sasha-waters-on-creating-a-poetic-visual-experience-for-mary-oliver-saved-by-the-beauty-of-the-world","status":"publish","type":"post","link":"https:\/\/bostonrelocationinsider.com\/?p=5281","title":{"rendered":"Director Sasha Waters on creating a \u2018poetic visual experience\u2019 for \u2018Mary Oliver: Saved by the Beauty of the World\u2019"},"content":{"rendered":"<article>\n<div>\n<p><span>When you hear a Mary Oliver poem and close your eyes, what do you see?<\/span><\/p>\n<p><span>\u201cWhoever you are, no matter how lonely,\/ the world offers itself to your imagination,\u201d Oliver wrote in one of her most celebrated poems, \u201cWild Geese.\u201d<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5279\">Filmmaker Ivy Meeropol talks #MeToo, Trump legal proceedings, and the making of her new documentary, \u2018Ask E. Jean\u2019<\/a><\/p>\n<p><span>Oliver had a gift for transforming an evening walk into something transcendent. That quiet sense of wonder at the splendor of nature is at the heart of director Sasha Waters\u2019s new documentary, \u201cMary Oliver: Saved by the Beauty of the World.\u201d<\/span><\/p>\n<\/div>\n<div>\n<div><span>Related<span>: <\/span><\/span>To read Mary Oliver was to slow down and take notice<\/div>\n<p><span>The film, which comes out on Friday, explores Oliver\u2019s life, philosophy, and enduring legacy through archival material, interviews, and readings of her best-known poems by some familiar faces, including Stephen Colbert, John Waters, Helena Bonham Carter, and Steve Buscemi.<\/span><\/p>\n<p><span><b>Q.<\/b> For those who are just discovering Mary Oliver, how would you categorize her beyond just being a nature poet?<\/span><\/p>\n<p><span><b>A.<\/b> She definitely did not like categories of any kind, so it\u2019s hard to pin her down. She wrote about the natural world and was very inspired by it. She\u2019s been called America\u2019s best-selling poet, and I think that remains true and correct. She is as beloved as poets of earlier generations, such as Robert Frost or Walt Whitman. She speaks to people across all kinds of divides.<\/span><\/p>\n<div>\n<div>\n<div><span>Get Starting Point<\/span><\/div>\n<div><span>A guide through the most important stories of the morning, delivered Monday through Friday.<\/span><\/div>\n<div>\n<div><label>Enter Email<\/label><\/p>\n<div><button>Sign Up<\/button><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span><b>Q. <\/b>What was the first thing that drew you into making this documentary?<\/span><\/p>\n<p><span><b>A.<\/b> Like many people my age or in my time cohort, I learned about a lot of poems and poets from something called \u201cThe Writer\u2019s Almanac,\u201d which was a short daily program on public radio in the 1990s \u2014 it might have started in the \u201980s, but definitely in the \u201990s and into the early 2000s \u2014 hosted by Garrison Keillor. The first poem I ever heard by Mary Oliver was \u201cWhen Death Comes.\u201d That was in the early 2000s, and I\u2019ve just been a huge fan ever since. I\u2019m also a really big fan of her essays; she has a collection called \u201cUpstream\u201dthat is really wonderful.<\/span><\/p>\n<p><span><b>Q.<\/b> Reading poetry is a very intimate feeling. How do you translate that on the screen for us?<\/span><\/p>\n<p><span><b>A.<\/b> So that was a challenge: wanting to use imagery that was evocative and poetic and metaphorical, but not too literal or on the nose. But ideally we wanted the whole imagistic approach to be a collage of different kinds of images: home movies, archives, other filmmakers\u2019 images, to open it up so that hopefully people can have their own kind of poetic visual experience with it.<\/span><\/p>\n<p><span><b>Q. <\/b>Mary Oliver was a notoriously private person. How did you tackle this going in, knowing this? <\/span><\/p>\n<p><span><b>A. <\/b>Mary Oliver was a very private person. That\u2019s why there\u2019s very little video of her in existence. There is a lot of audio, because she did give readings and allowed those to be recorded.<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5277\">Ziggy Marley on his father, finding balance, and the 30th anniversary of the \u2018Arthur\u2019 theme song<\/a><\/p>\n<p><span>If there was something she didn\u2019t want us to find, we didn\u2019t find it, because it wasn\u2019t there. As John Waters says at the end of the film, \u201cIf there was something Mary wouldn\u2019t want me to tell you, I wouldn\u2019t tell you,\u201d and I\u2019d riff on that by saying: If there was something Mary didn\u2019t want us to find, it wasn\u2019t in the archive.<\/span><\/p>\n<p><span><b>Q.<\/b> If you had to pinpoint the poetic emotional center \u2014 one poem that centers the whole documentary \u2014 what poem would you say it was?<\/span><\/p>\n<p><span><b>A.<\/b> I think it is \u201cThe Summer Day,\u201d because it is literally the center of the documentary. We open with that poem, but Stephen Colbert can\u2019t get through it, and then we come back to it at about the midpoint, with Stephen Colbert and the writer Jason Reynolds. The ending line of that poem \u2014 \u201cTell me, what is it you plan to do with your one wild and precious life?\u201d \u2014 is a line that people who don\u2019t know Mary Oliver, or who might not recognize the title of the poem, still know. So I think that\u2019s the poem.<\/span><\/p>\n<p><span><b>Q.<\/b> How did your own perception of Mary Oliver\u2019s work change while you were making this documentary?<\/span><\/p>\n<p><span><b>A.<\/b> I think it deepened through being exposed to so much of her work. She wrote two books on the writing of poetry \u2014 on craft \u2014 that are really books for teaching poetry. I read them initially out of a sense of obligation, like, \u201cI\u2019m a researcher, I need to read everything Mary wrote.\u201d I thought, this is very specific, maybe a little niche, maybe not that relevant. But they were incredible.<\/span><\/p>\n<p><span><b>Q.<\/b> If there\u2019s one thing we had to take away from Mary Oliver watching this documentary, what would you say that thing is?<\/span><\/p>\n<p><span><b>A.<\/b> It\u2019s something you think about as a filmmaker: What do you want people to think and feel as they\u2019re leaving the theater? I think if people leave feeling like they want to read more Mary Oliver, or they want to walk in the woods, then the film has done its job.<\/span><\/p>\n<p><span><i>\u201cMary Oliver: Saved by the Beauty of the World\u201d opens at the Coolidge Corner Theater July 17, with a national television release on Aug. 26 on PBS.<\/i><\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5275\">Madison Square Garden sues Wired magazine over LGBTQ+ tracking report<\/a><\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>The new documentary features a mix of archival footage and interviews, with longtime Provincetown resident John Waters weighing in on his longtime neighbor.<\/p>\n","protected":false},"author":1,"featured_media":5280,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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