{"id":5262,"date":"2026-07-19T10:39:06","date_gmt":"2026-07-19T10:39:06","guid":{"rendered":"https:\/\/bostonrelocationinsider.com\/?p=5262"},"modified":"2026-07-19T10:39:06","modified_gmt":"2026-07-19T10:39:06","slug":"father-and-daughter-to-unite-on-the-tanglewood-stage","status":"publish","type":"post","link":"https:\/\/bostonrelocationinsider.com\/?p=5262","title":{"rendered":"Father and daughter to unite on the Tanglewood stage"},"content":{"rendered":"<article>\n<div>\n<p><span>Keila Wakao made her first Symphony Hall appearance at a younger age than most. Wearing a ruffled powder-blue dress with a matching headband, 5-year-old Keila toddled on stage in 2011 to hand a bouquet of flowers to her father, oboist Keisuke Wakao, after he premiered John Williams\u2019s Concerto for Oboe with the Boston Pops. \u201cTo be honest, I don\u2019t remember the concert, but I remember going up to the stage,\u201d she said. <\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5260\">Patricia Lockwood wins Gabe Hudson Prize for a dark, comic COVID-19 novel<\/a><\/p>\n<p><span>Just over a decade later, it was her turn in the same spotlight. As the winner of the Boston Symphony Orchestra\u2019s annual concerto competition in 2023, she performed a movement from Prokofiev\u2019s Violin Concerto No. 2 at a family concert. Then she was invited to perform at the orchestra\u2019s opening gala. Now, she\u2019s preparing for her biggest BSO audience yet. She makes her Tanglewood debut this Friday as soloist in Barber\u2019s Violin Concerto, under the baton of BSO music director Andris Nelsons. Her father, who is retiring from the orchestra at the end of the current Tanglewood season, will be proudly supporting her from his usual seat in the woodwinds section. <\/span><\/p>\n<\/div>\n<div>\n<p><span>Keila\u2019s interest in music sparked in her preschool days, when she saw some other children performing at a house party thrown by one of her father\u2019s BSO colleagues, and she wanted in. \u201cI told my parents \u2026 \u2018I want to do that, too.\u2019 Immediately \u2014 literally the week after \u2014 I had a violin and a violin teacher,\u201d Keila said in a joint Zoom interview with her father from the family\u2019s home in the Berkshires, as the family\u2019s chatty cat Momo (a frequent guest in Keila\u2019s Instagram videos) romped in the background.<\/span><\/p>\n<div>\n<div>\n<div><span>Get Starting Point<\/span><\/div>\n<div><span>A guide through the most important stories of the morning, delivered Monday through Friday.<\/span><\/div>\n<div>\n<div><label>Enter Email<\/label><\/p>\n<div><button>Sign Up<\/button><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span>But it was never her parents\u2019 dream that those childhood lessons would lead to a career in music. \u201cWe felt [music] was good for her education,\u201d said Keisuke, a native of Tokyo who was appointed assistant principal oboe of the Boston Symphony Orchestra and principal of the Boston Pops in 1990. \u201cI always thought, if she\u2019s happy playing music, that\u2019s good enough for me.\u201d<\/span><\/p>\n<p><span>That supportive but laissez-faire approach helped Keila have a \u201cgreat relationship with music growing up,\u201d she said. \u201cMy parents, especially my dad, made sure to steer me in a way where music was never something that had to feel like work.\u201d Her childhood teacher, former BSO concertmaster Joseph Silverstein, also played a vital role. \u201cI look back and I watch videos, and he\u2019s so kind and patient, but he gets his point across,\u201d she said. <\/span><\/p>\n<p><span>Silverstein often ended Keila\u2019s lessons by encouraging her to play for his wife, Keisuke said. \u201cHe was like a grandfather.\u201d<\/span><\/p>\n<p><span>Keila just finished her second year as an undergraduate at New England Conservatory, where she studies with Miriam Fried. Earlier this year, she received an Avery Fisher Career Grant, a by-recommendation-only award given to young musicians with potential for careers as soloists. Previous violinist recipients of that grant include Sarah Chang and Augustin Hadelich.<\/span><\/p>\n<p><span>Being a soloist is indeed the dream for her. \u201cI mean, first I have to establish myself as a soloist,\u201d she said. \u201cAnd doing more outreach and charity, and concerts for specific causes. The majority of the time, when I\u2019m not on stage, I\u2019m in the practice room, practicing. Doing events for a cause is a way to give back to people.\u201d<\/span><\/p>\n<p><span>Cancer research is one such cause with profound personal meaning for the Wakaos. After Keisuke was diagnosed with throat cancer in 2017, he and his doctors initially thought his performance career was sunk, as the radiation treatments that could excise the cancer would also weaken his soft palate. However, a few weeks after the treatments were done, his doctors asked him to try playing a little bit for them, and they were shocked when they heard sound come out of the oboe, he said.<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5258\">Who will complement Milton Williams and Christian Barmore for the defensive line to remain a Patriots strength?<\/a><\/p>\n<p><span>\u201cThey said, \u2018You have an elephant\u2019s soft palate,\u201d he recalled. He was in too much pain to care at the time. \u201cI said, \u2018Doctor, can I just stop now?\u201d <\/span><\/p>\n<p><span>But 14 months later, Keisuke was back on the job at the BSO, and he partially credits his recovery to hearing Keila play while he was healing. \u201cI heard her practicing every day from my bed,\u201d he said.<\/span><\/p>\n<p><span>Now, with a cancer-free Keisuke\u2019s retirement and Keila\u2019s Tanglewood debut all during the same summer, the Wakaos are celebrating the end of one chapter and the beginning of another. \u201cThe Barber concerto has a huge oboe solo in the second movement,\u201d Keisuke enthused. \u201cSo it\u2019s a nice piece to, not end, but, you know.\u201d He\u2019s \u201ca little bit sad to leave,\u201d especially knowing he won\u2019t be working with Nelsons. \u201cI like the way he speaks, I love the way he conducts \u2026 and he was the person who asked Keila to perform.\u201d<\/span><\/p>\n<p><span>\u201cAnd after the gala \u2026\u201d Keila started.<\/span><\/p>\n<p><span>\u201cRight away, it was \u2018let\u2019s do Tanglewood,\u2019\u201d Keisuke finished the sentence.<\/span><\/p>\n<p><span>Keila is only getting busier. In August, she\u2019s on the books with the Tokyo Philharmonic. Later this fall, she\u2019ll be back in Japan with her frequent collaborator, pianist Janice Lu; the two musicians caught the ear of Yo-Yo Ma when they performed at last summer\u2019s Seiji Ozawa sculpture unveiling ceremony at Tanglewood, and the world-famous cellist invited the two on tour for Shostakovich\u2019s Piano Trio No. 2.<\/span><\/p>\n<p><span>So what might Keisuke do with his newly found free time, besides being Keila Wakao fan No. 1? \u201cI want to conduct a little bit,\u201d he said. \u201cLike, I\u2019m not going to be music director of the Boston Symphony, but I\u2019d like to conduct an orchestra. My small dream is maybe when I\u2019m 82, if I\u2019m still alive, I can conduct one concert of the Boston Symphony. Why not? Why not?\u201d<\/span><\/p>\n<p><span>The next generation of Wakao musicians shot him a knowing glance. \u201cThere are many reasons why not.\u201d<\/span><\/p>\n<p><span><b>BOSTON SYMPHONY ORCHESTRA<\/b><\/span><\/p>\n<p><span>Conducted by Andris Nelsons. Featuring Keila Wakao in Barber\u2019s Violin Concerto, and Ren\u00e9e Fleming and Thomas Hampson in excerpts from Adams\u2019s \u201cNixon in China.\u201d July 17, 8 p.m. Tanglewood, Lenox. <\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=5256\">Ava DuVernay\u2019s \u201914th\u2019 documentary on Trump-contested birthright amendment<\/a><\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>When violinist Keila Wakao makes her Tanglewood debut with the BSO, her number one fan \u2014 her father, Keisuke Wakao \u2014 will be supporting her from his usual seat in the BSO\u2019s oboe section.<\/p>\n","protected":false},"author":1,"featured_media":5261,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5262","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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