{"id":387,"date":"2026-05-15T11:42:11","date_gmt":"2026-05-15T11:42:11","guid":{"rendered":"https:\/\/bostonrelocationinsider.com\/?p=387"},"modified":"2026-05-15T11:42:11","modified_gmt":"2026-05-15T11:42:11","slug":"inside-the-lincoln-symphony-that-philip-glass-pulled-from-trumps-kennedy-center","status":"publish","type":"post","link":"https:\/\/bostonrelocationinsider.com\/?p=387","title":{"rendered":"Inside the \u2018Lincoln\u2019 symphony that Philip Glass pulled from Trump\u2019s Kennedy Center"},"content":{"rendered":"<article>\n<div>\n<p><span>Singer and actor Zachary James was expecting an audition much like any other \u2014 \u201cat a studio, people behind a table\u201d \u2014 when he agreed to try out for Philip Glass\u2019s opera \u201cThe Perfect American\u201d in the early 2010s. Instead, when James knocked on the door at the address he\u2019d been given on the Lower East Side of Manhattan, the \u201cGlassworks\u201d and \u201cKoyaanisqatsi\u201d composer answered the door and welcomed James into his own apartment, where they talked for \u201cover an hour\u201d about theater, art, and \u201chow we got into these crazy lives in showbiz.\u201d <\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=385\">Joe Morgan, the greatest interim manager in baseball history, knows what Chad Tracy is dealing with, and other thoughts<\/a><\/p>\n<p><span>Eventually, Glass said \u201cI guess you should sing for me, but I don\u2019t feel like playing piano. Could you sing <i>a cappella<\/i>?\u201d James recounted in a phone interview.<\/span><\/p>\n<\/div>\n<div>\n<p><span>James sang his prepared excerpt, from Carlisle Floyd\u2019s opera \u201cSusannah,\u201d unaccompanied. Glass\u2019s reaction was something along the lines of \u201cokay, that\u2019s great. I\u2019ll see you in Madrid!\u201d James said. \u201cAnd I thought, \u2018did I just get hired on the spot by Philip Glass?!\u201d<\/span><\/p>\n<div>\n<div>\n<div><span>Get Starting Point<\/span><\/div>\n<div><span>A guide through the most important stories of the morning, delivered Monday through Friday.<\/span><\/div>\n<div>\n<div><label>Enter Email<\/label><\/p>\n<div><button>Sign Up<\/button><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span>James was hired in \u201cThe Perfect American\u201d for the cameo role of Abraham Lincoln; specifically an animatronic representation of Lincoln built by Walt Disney, the central character of that opera. Now, James is preparing to channel Lincoln vis-a-vis Glass again, but this time in a leading role as the vocal soloist in the world premiere of Glass\u2019s new Symphony No. 15, \u201cLincoln,\u201d with the Boston Symphony Orchestra and conductor Karen Kamensek July 5 at Tanglewood. Though the public hasn\u2019t heard a note of the new symphony yet, it has already been in the headlines. At the beginning of this year, Glass withdrew his Symphony No. 15 from its scheduled June world premiere by the National Symphony Orchestra at Washington D.C.\u2019s Kennedy Center: a venue that President Trump has been gradually reshaping in his own image, replacing previous leadership with loyalists who voted to add Trump\u2019s name to the venue.<\/span><\/p>\n<p><span>\u201cSymphony No. 15 is a portrait of Abraham Lincoln, and the values of the Kennedy Center today are in direct conflict with the message of the Symphony,\u201d Glass wrote in a public statement explaining his decision.<\/span><\/p>\n<p><span>To James, the message of the eight-movement symphony is \u201ca reflection on the fragility of democracy,\u201d outlined through excerpts from Lincoln\u2019s public speeches and writings such as the Lyceum Address, which warns of dire consequences should a tyrannical leader overtake the United States government.<\/span><\/p>\n<p><span>\u201cIt\u2019s interesting, because the heaviest moments \u2014 the words that, to me, have the greatest consequence \u2014 are spoken,\u201d he said. \u201cI come from musical theater, and the idea of speaking versus singing there is you speak and then when the emotions come to be too much, you sing. \u2026 What\u2019s really fascinating about this is that it\u2019s the opposite. He\u2019s singing, and then when he gets to an emotional point, he speaks.\u201d <\/span><\/p>\n<p><span>One such moment draws from Lincoln\u2019s personal reflections after signing the Emancipation Proclamation: \u201cI never in my life, felt more certain that I was doing right than I do in signing this paper\u2026 If my name ever goes into history it will be for this act, and my whole soul is in it,\u201d the speaker says, as the orchestra falls silent. <\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=383\">Praise to the chief: In Trump\u2019s second term, the homage is expected, encouraged, and at times, demanded<\/a><\/p>\n<p><span>\u201cHe finishes the declaration with a vulnerable reflection and acknowledgment that this will be his legacy,\u201d James said. \u201cBecause these words are not assigned rhythm and notes, I am given complete freedom in interpretation, which also is a vulnerable moment as a performer.\u201d With that, it\u2019s \u201cas if Philip is saying \u2018listen to this. Really pay attention. This is the message.\u2019\u201d <\/span><\/p>\n<p><span>Drawing on American history as such concrete symphonic inspiration is somewhat new territory for Glass, whose previous titled symphonies have been inspired by subjects including Buddhist spirituality, the poetry of Allen Ginsberg, and three albums by David Bowie. <\/span><\/p>\n<p><span>But for Kamensek, a longtime Glass collaborator, Lincoln is \u201cconjured up in our presence\u201d by the union of Glass\u2019s music and Lincoln\u2019s writing, she wrote in an email. \u201cThe Lincoln texts Philip selected are extremely powerful and thought provoking, very much human and biographical.\u201d<\/span><\/p>\n<p><span>For Kamensek and James, who were both involved in the Metropolitan Opera\u2019s acclaimed production of Glass\u2019s opera \u201cAkhnaten,\u201d working so closely with Glass on a world premiere is a dream come true. \u201cHe\u2019s my very favorite composer on the planet, and my very favorite collaborator,\u201d James said. \u201cOur work together continues to be very easygoing, very respectful, very complimentary.\u201d<\/span><\/p>\n<p><span>To honestly channel \u201cHonest Abe,\u201d James said he needed to know what Lincoln might have been thinking privately, things he might not have dared to say out loud. The issues he faced during his presidency had \u201cconsequences in every direction,\u201d he said. \u201cWe\u2019re thinking of him not necessarily like the greatest president of all time, and every word he said was gold \u2026 but a man who grew up humbly and suddenly was thrust into positions of leadership over and over again without necessarily having those goals.\u201d<\/span><\/p>\n<p><span>In some respect, the symphony offers \u201ca history lesson; look at these things we went through,\u201d said James. \u201cOn the other hand, look at what we\u2019re still going through.\u201d<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=381\">The hantavirus outbreak is prompting COVID flashbacks \u2014 including the conspiracies<\/a><\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>The composer\u2019s Symphony No. 15, about the fragility of Democracy, will premiere at Tanglewood in July.<\/p>\n","protected":false},"author":1,"featured_media":386,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-politics"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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