{"id":3814,"date":"2026-06-28T20:35:51","date_gmt":"2026-06-28T20:35:51","guid":{"rendered":"https:\/\/bostonrelocationinsider.com\/?p=3814"},"modified":"2026-06-28T20:35:51","modified_gmt":"2026-06-28T20:35:51","slug":"tony-brown-host-of-public-affairs-show-aimed-at-black-audiences-dies-at-93","status":"publish","type":"post","link":"https:\/\/bostonrelocationinsider.com\/?p=3814","title":{"rendered":"Tony Brown, host of public affairs show aimed at Black audiences, dies at 93"},"content":{"rendered":"<article>\n<div>\n<p><span>Tony Brown, the pioneering host and producer of \u201cTony Brown\u2019s Journal,\u201d a long-running public affairs television show aimed at Black audiences that was notable for its candid and often contentious discussions about race and other politically charged issues, died June 17 at his home in Newport News, Va. He was 93.<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=3812\">NASA races to save Swift telescope from falling back to Earth with daring rescue mission<\/a><\/p>\n<p><span>Mr. Brown\u2019s death, from coronary heart disease, was announced Friday on his Facebook page.<\/span><\/p>\n<p><span>By the time his PBS show went off the air in 2008, Mr. Brown estimated that, over the course of nearly four decades, he had interviewed more than 1,000 guests, including Lena Horne, Jesse Jackson, Angela Davis, Bill Cosby, and Sammy Davis Jr.<\/span><\/p>\n<\/div>\n<div>\n<p><span>While he had no favorites, he said, he singled out an exchange with Horne that not only captured the frankness that his program encouraged, but also hinted at his broadcasting mission. He recalled asking the well-known singer why she had married a white man &#8212; composer-conductor Lennie Hayton &#8212; and her reply: \u201cI was not woman enough at that time to marry a Black man. As a woman, I should have been looking at myself first.\u201d<\/span><\/p>\n<div>\n<div>\n<div><span>Get Starting Point<\/span><\/div>\n<div><span>A guide through the most important stories of the morning, delivered Monday through Friday.<\/span><\/div>\n<div>\n<div><label>Enter Email<\/label><\/p>\n<div><button>Sign Up<\/button><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span>An intense and impeccably dressed former social worker with hardscrabble West Virginia roots who was blessed with a silken baritone, Mr. Brown acknowledged that he made programming decisions \u201con the basis of one thing &#8212; will it help Black people?\u201d<\/span><\/p>\n<p><span>He told the Congressional Black Caucus at a hearing in 1972 that the exclusion of Black people from executive jobs in the media had led to a \u201ctotally brainwashed\u201d Black population \u201cdrilled to think like whites,\u201d resulting in a \u201cgeneral disrespect and misunderstanding by whites about Blacks, and Blacks about themselves.\u201d<\/span><\/p>\n<p><span>To remedy the situation, he urged that public broadcasting stations assemble staffs that resembled the ethnic makeup of their audiences.<\/span><\/p>\n<p><span>Two years earlier, after a brief stint at Detroit\u2019s public television station, WTVS, Mr. Brown had moved to New York City to become the executive producer and host of an award-winning monthly public TV show called \u201cBlack Journal.\u201d Mr. Brown\u2019s bluntness and flair for broadcasting enhanced the ratings, and soon it had a weekly slot on the schedule.<\/span><\/p>\n<p><span>An interview with Sammy Davis Jr. offered an example of the uncommon insights that viewers came to expect. The entertainer, known for his chumminess with white celebrities including Frank Sinatra and other members of the Rat Pack, shared stories of the racism he had experienced in the Army and on the road, where hotels refused to put him up for the night. He also expressed regret for working so hard at \u201cemulating white stars.\u201d<\/span><\/p>\n<p><span>By 1995, 5 million viewers were tuning in each week to the program, which had been renamed after its host.<\/span><\/p>\n<p><span>The provocative show was not universally well received. A 1971 episode on the prison experiences of Angela Davis and the Soledad Brothers, three Black inmates of a facility in Soledad, Calif., who were accused of killing a guard, was criticized by New York Times television critic John J. O\u2019Connor, who cited a failure to present counterpoints from white officials or prison guards and an assumption that all Black inmates were political prisoners.<\/span><\/p>\n<p><span>O\u2019Connor also criticized an episode on the roots of white racism in Christianity, in which one speaker contended that Jesus was Black and another claimed that there were no white Madonnas in European churches until the 16th or 17th centuries.<\/span><\/p>\n<p><span>Mr. Brown countered that his intention was to show positive images of Black people rather than images that fed into white stereotypes of the Black community.<\/span><\/p>\n<p><span>When the public television station WNET planned to air a Swedish documentary that portrayed a Harlem overpopulated with prostitutes, drug peddlers, and street hustlers, Mr. Brown organized civic groups and Black station employees in protest, arguing that \u201ca bigoted sector of white America will have its prejudices frozen in place and reinforced.\u201d The documentary was pulled from the schedule.<\/span><\/p>\n<\/p>\n<p><span>Over time, Mr. Brown and his program mellowed, and many years later, O\u2019Connor admonished him again &#8212; but this time from the opposite standpoint, saying that his show had shifted from being \u201cmilitant and abrasive\u201d to being a Black version of the \u201cThe Tonight Show Starring Johnny Carson,\u201d complete with segments on fashion by Black designers.<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=3811\">Jenny Jackson\u2019s \u2018The Shampoo Effect\u2019 may be the most Ipswich book ever<\/a><\/p>\n<p><span>By 1982, Mr. Brown was giving President Reagan a platform to trumpet the number of Black men and women in his administration.<\/span><\/p>\n<p><span>In a newspaper interview the same year, Mr. Brown seemed pleased that the program had three white viewers for every Black viewer. And by 1991, he revealed that he had joined the Republican Party because he supported its \u201cbasic concept of market economy and self-help,\u201d while Democrats had a \u201cphilosophy of dependence on government.\u201d<\/span><\/p>\n<p><span>\u201cA mentality of affirmative action and civil rights is not going to get you anywhere in the 21st century,\u201d he told Michel Marriott of the Times in 1995. \u201cIf you only believe that you\u2019re going to be a leader in the world if white people are going to have a preference program for you, brother, you just get out your cotton-picking clothes, because that\u2019s what you\u2019re going to be doing.\u201d<\/span><\/p>\n<p><span>In line with his advocacy of self-reliant Black capitalism, he set up a council in 1985 that encouraged African Americans to patronize merchants of their own race.<\/span><\/p>\n<p><span>Eventually, he began publishing self-help books &#8212; among them, \u201cEmpower the People: A Seven-Step Plan to Overthrow the Conspiracy That Is Stealing Your Money and Freedom\u201d (1998) and \u201cWhat Mama Taught Me: The Seven Core Values of Life\u201d (2003).<\/span><\/p>\n<p><span>He also praised his employer, Channel 13, in a video posted on the station\u2019s website, for enabling \u201cremarkable progress\u201d for Black, Latino and Asian members of staff. Recalling the monochromatic makeup of television when he began his career, he said: \u201cI never dreamed I\u2019d work in television.\u201d<\/span><\/p>\n<p><span>William Anthony Brown was born in Charleston, W. Va., on April 11, 1933, the youngest of five children of Royal and Katherine Brown. His father left before he was born, he told the Times in 1995, and from the age of 2 months, he was raised by Elizabeth Sanford and her daughter, Mabel Holmes, two women who weren\u2019t relatives but were concerned about his welfare. (He referred to them as \u201cangels\u201d in the dedication to his 1995 book, \u201cBlack Lies, White Lies: The Truth According to Tony Brown.\u201d) By the time he was 12, they had died and he was once again living with his mother.<\/span><\/p>\n<p><span>A complete list of Mr. Brown\u2019s survivors was not immediately available.<\/span><\/p>\n<p><span>In school, he excelled in English and drama and struggled to overcome his shyness by reading the works of Shakespeare on a local radio broadcast. He enlisted in the Army in 1953 and then studied at Wayne State University in Detroit, receiving a bachelor\u2019s degree in sociology in 1959 and later a master\u2019s degree in psychiatric social work.<\/span><\/p>\n<p><span>In June 1963, he helped organize a march in Detroit led by the Rev. Martin Luther King Jr. that some regarded as a dress rehearsal for the March on Washington two months later. The same year, he began working for The Detroit Courier, a predominantly Black newspaper, eventually serving as its drama critic and city editor.<\/span><\/p>\n<p><span>In 1968, he moved to Detroit\u2019s public television station, where he worked as a programmer and produced the station\u2019s first show for African Americans, \u201cColored People\u2019s Time.\u201d When William Greaves, a host and executive producer of \u201cBlack Journal,\u201d left in 1970 to make films, Mr. Brown was brought in to replace him. At the time, there were only a few nationally broadcast shows aimed at Black audiences.<\/span><\/p>\n<p><span>When the show was renamed \u201cTony Brown\u2019s Journal\u201d in 1977, he made a deal with PepsiCo to sponsor it, and it was syndicated on commercial television for some 19 years, at one point appearing on 80 stations.<\/span><\/p>\n<p><span>Mr. Brown served as the first dean of the Howard University School of Communications from 1971 to 1974, until holding both jobs proved onerous. For a while, he also wrote a weekly column syndicated in 130 newspapers and hosted a call-in radio show four times a week on WLIB-AM.<\/span><\/p>\n<p><span>During his time as the host of \u201cTony Brown\u2019s Journal,\u201d he encouraged the development of Black production talent, he said, partly because he recognized the potency of the media in transforming the image &#8212; and self-images &#8212; of African Americans.<\/span><\/p>\n<p><span>\u201cOnce we break the back of television as an insidious one-eyed monster that teaches us to hate ourselves,\u201d he told the Times in 1970, \u201cwe will break the back of white racism.\u201d<\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=3809\">Comedian Bill Maher is set to receive Mark Twain Prize at Kennedy Center<\/a><\/p>\n<p><span>This article originally appeared in The New York Times.<\/span><\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>The pioneering host and producer of &#8220;Tony Brown&#8217;s Journal&#8221; acknowledged that he made programming decisions \u201con the basis of one thing &#8212; will it help Black people?\u201d<\/p>\n","protected":false},"author":1,"featured_media":3813,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-3814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-business"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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