{"id":1179,"date":"2026-05-25T16:07:44","date_gmt":"2026-05-25T16:07:44","guid":{"rendered":"https:\/\/bostonrelocationinsider.com\/?p=1179"},"modified":"2026-05-25T16:07:44","modified_gmt":"2026-05-25T16:07:44","slug":"the-myth-of-the-tortured-artist-comes-to-a-head-in-frank","status":"publish","type":"post","link":"https:\/\/bostonrelocationinsider.com\/?p=1179","title":{"rendered":"The myth of the tortured artist comes to a head in \u2018Frank\u2019"},"content":{"rendered":"<article>\n<div>\n<p><i>In our weekly series, One Special Thing, the Globe arts staff highlights something timeless \u2014 movies, books, TV shows, albums, paintings, plays, symphonies, dishes \u2014 that we return to in good times and bad. Something we\u2019re just dying to tell you about. The only parameter is passion.<\/i><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=1177\">Matthew Perry\u2019s family trusted his assistant to help keep him sober. He instead helped him overdose.<\/a><\/p>\n<p><span>The problem with a movie about a character with a papier-m\u00e2ch\u00e9 head \u2026 is that it\u2019s very difficult to talk about anything <i>other<\/i> than the character with a papier-m\u00e2ch\u00e9 head. And in the case of Lenny Abrahamson\u2019s 2014 dark comedy, \u201cFrank,\u201d why would you? Michael Fassbender, who plays the film\u2019s titular musician, is like a full-time mascot in his character\u2019s oversize mask. Frank sleeps in it, showers in it, uses a straw through the mouth hole to eat liquid food in it. Frank would be a horrifying figure if Fassbender didn\u2019t infuse him with such disarming, childlike wonder.<\/span><\/p>\n<\/div>\n<div>\n<p><span>That head \u2014 with its blank eyes, shellacked hair, and a gaping mouth that Frank manages to sing through \u2014 was destined to be the centerpiece of the film. But it\u2019s also a bit of a red herring. \u201cFrank\u201d is a takedown of the \u201ctortured artist\u201d trope, which is how I interpreted the film when I first saw it as an impressionable 19-year-old, although its legacy is often reduced to \u201cthat movie with the kooky guy and the fake head.\u201d<\/span><\/p>\n<div>\n<div>\n<div><span>Get Starting Point<\/span><\/div>\n<div><span>A guide through the most important stories of the morning, delivered Monday through Friday.<\/span><\/div>\n<div>\n<div><label>Enter Email<\/label><\/p>\n<div><button>Sign Up<\/button><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span>Cue the film\u2019s other main character, the far less interesting Jon (Domhnall Gleeson). He\u2019s also a musician and he\u2019s feeling tortured, all right. In the opening scene, Jon strolls through his hometown, searching for inspiration in the quaint surroundings. He churns out dud after dud \u2014 \u201cLady in the red coat\/ Whatcha doin\u2019 with that BAG?\u201d is a choice lyrical lemon. When he does manage to cobble together a decent melody, he realizes he\u2019s ripping off a tune by the English ska band Madness and folds in frustration. (On the soundtrack, a compilation of these clunkers is called \u201cJon\u2019s Crap Songs.\u201d)<\/span><\/p>\n<p><span>But Jon\u2019s luck turns around as someone else\u2019s plummets. On another stroll, shortly thereafter, he passes a man attempting to drown himself. As paramedics fish him from the water, a group of eccentrics watches from the shore. They\u2019re a (deliberately unpronounceable) band called The Soronprfbs, who are now short a keyboard player for their show tonight. <\/span><\/p>\n<p><span>Well, shucks, Jon plays the keyboard, he mentions, and suddenly he\u2019s thrust into a bar gig with no setlist, no rehearsal, and no context. The show ends early due to technical difficulties, but the band\u2019s desperate enough for a keyboard player that their manager, Don (Scoot McNairy), immediately invites Jon to join them for a \u201cmajor thing\u201d in Ireland \u2014 and Jon is desperate enough for a big break that he agrees.<\/span><\/p>\n<p><span>That \u201cmajor thing\u201d is holing up in a cabin to write and record a new album, a project that will ultimately take 11 months. In close quarters, Jon struggles to connect with his new bandmates, who are clearly more adept musicians. Drummer Nana (Carla Azar) barely speaks, and guitarist Baraque (Fran\u00e7ois Civil) speaks almost exclusively in French. He receives constant ire from Clara (Maggie Gyllenhaal), the band\u2019s prickly synth and theremin player who gets a thrill from demeaning Jon. <\/span><\/p>\n<p><span>\u201cYou are fingers being told which keys to push, 10 little bits of bone and skin\u201d she tells him in private one evening. Translation: You couldn\u2019t write a good song to save your life.<\/span><\/p>\n<p><span>For Jon, Frank is the only friendly figure in the band, as well as an endless source of awe. Off the cuff, Frank can write songs \u2014 <i>great<\/i> songs \u2014 using even more mundane inspiration than Jon ever found in his hometown: a creaky door, a tuft in the carpet, the sound of using a toothbrush. <\/span><\/p>\n<p><span>Desperate to know the secret to the group\u2019s creativity, Jon begins analyzing patterns in his bandmates\u2019 backstories like a man putting together an evidence board. Don, who was also the band\u2019s original keyboardist, previously spent time in a mental hospital after pursuing romantic relationships with mannequins. The second keyboard player was obviously troubled, considering that he attempted to drown himself. Frank grew up in Bluff City, Kansas, which Jon assumes is a grim place that must have torpedoed his psyche. And everyone else in the band must also be off their rocker \u2014 why are they so standoffish otherwise? <\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=1175\">80 fun concerts, festivals, shows, and more to check out around Boston this summer<\/a><\/p>\n<p><span>Over the course of those 11 months, Jon concludes that artistic genius is the product of intense misery, which \u2014 rats! \u2014 he\u2019s managed to sidestep his entire boring life. He latches on to this notion like a life raft for his creative aspirations: \u201cI\u2019ve come to realize that this is my Bluff, Kansas,\u201d he thinks, \u201cthat here \u2026 I have found my abusive childhood, my mental hospital, that which pushes me to my furthest corners.\u201d <\/span><\/p>\n<p><span>Except the band ultimately uses none of Jon\u2019s compositions for the album, even though he ponied up a portion of his nest egg to maintain the cabin rental. He does manage to make one contribution to the group\u2019s trajectory. Jon\u2019s been posting videos of The Soronprfbs online without their knowledge, and the invasion of privacy has racked up enough views to earn them a performance at South By Southwest.<\/span><\/p>\n<p><span>Frank is thrilled by the idea of reaching a wider audience; the rest of the band reluctantly agrees to the gig. A disgruntled Clara warns Jon that she\u2019ll stab him if he \u201c[messes] everything up in America.\u201d Which is exactly what he does. <\/span><\/p>\n<p><span>The film\u2019s climax is the band\u2019s unraveling in Texas. When Frank flees the scene and loses his head in a car accident, Jon tracks him down in \u2014 where else? \u2014 Bluff City, Kansas. He blanches at what he sees: quaint homes, nice landscaping, friendly neighbors.<\/span><\/p>\n<p><span>The now-maskless Frank isn\u2019t particularly interested in talking to Jon, so he sits down with Frank\u2019s parents instead. He asks them what happened to Frank to \u201cmake him like that,\u201d prodding about the \u201ctorment\u201d Frank must have endured to make him such a capable musician.<\/span><\/p>\n<p><span>\u201cNothing \u2018happened to\u2019 him,\u201d says Frank\u2019s father. \u201cHe\u2019s got a mental illness.\u201d<\/span><\/p>\n<p><span>His mother chimes in: \u201cThe \u2018torment\u2019 didn\u2019t make the music. He was always musical. If anything, it slowed him down.\u201d<\/span><\/p>\n<p><span>There is no abusive childhood in Bluff City, no mental hospital. There\u2019s only a home just like Jon\u2019s. <\/span><\/p>\n<p><span>And Jon\u2019s music <i>still<\/i> stinks.<\/span><\/p>\n<p><span>In an act of penance, Jon reunites Frank with the rest of The Soronprfbs at a bar, where his bandmates are performing to an empty dancefloor. They wordlessly rekindle their prior chemistry \u2014 Frank starts ad-libbing lyrics about the grimy dive, and the rhythm section matches his melody. Overcome with emotion, Clara stumbles to her synthesizer to join in.<\/span><\/p>\n<p><span>The last shot shows Jon leaving the bar, walking away from the camera, facial expression hidden. Left out once again, he\u2019s probably miserable. <\/span><\/p>\n<p>Read more <a href=\"https:\/\/bostonrelocationinsider.com\/?p=1173\">The best local book events this week<\/a><\/p>\n<p><span>At least now he knows he doesn\u2019t have to be. <\/span><\/p>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>The 2014 dark comedy is a takedown of the \u201ctortured artist\u201d trope, although its legacy is often reduced to \u201cthat movie with the kooky guy and the fake head.\u201d<\/p>\n","protected":false},"author":1,"featured_media":1178,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The myth of the tortured artist comes to a head in \u2018Frank\u2019 - 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